After seeing Ben Worley’s (a.k.a. Bean Summer) SYNTHESIZ at Get This! Gallery, I almost decided to simply copy and paste Jerry Saltz’s entire New York Magazine article, “Generation Blank,” as a review. Within the first few seconds of seeing Worley’s video work, I was reminded of one of the first lines of Saltz’s bashing of [...]
Archive Content by Tag ‘Casey Lynch’
11/23/11 Ben “Bean” Worley’s SYNTHESIZ Makes It Too Easy To Get This!
Category: Reviews | Tags:
Tags: 2011, After Ellsworth Kelly, After Helen Frankenthaler, After Joseph Albers, After Mark Rothko, aftersherrielevine.com, afterwalkerevens.com, Bean Summer, Ben "Bean" Worley, Ben Worley, Casey Lynch, detournement, Frank Stella, Generation Blank, Get This! Gallery, Helen Durant, Jerry Saltz, Kenneth Noland, Letterists, Nam June Paik, Neostructuralist, New York Magazine, Nicolas Bourriaud, Post Abstract Expressionist, Post-studio art practice, PostProduction, Rosalind Krauss, Ryan Trecartin, SECAC, semiotic lexicon, Sherrie Levine, Situationists, SYNTHESIZ, Venice Biennale
Tags: 2011, After Ellsworth Kelly, After Helen Frankenthaler, After Joseph Albers, After Mark Rothko, aftersherrielevine.com, afterwalkerevens.com, Bean Summer, Ben "Bean" Worley, Ben Worley, Casey Lynch, detournement, Frank Stella, Generation Blank, Get This! Gallery, Helen Durant, Jerry Saltz, Kenneth Noland, Letterists, Nam June Paik, Neostructuralist, New York Magazine, Nicolas Bourriaud, Post Abstract Expressionist, Post-studio art practice, PostProduction, Rosalind Krauss, Ryan Trecartin, SECAC, semiotic lexicon, Sherrie Levine, Situationists, SYNTHESIZ, Venice Biennale
































Jared: Excited for the Bowman collection. She is someone to keep an eye on
ruth: What do you do with difficult lines of memory? Fold them into a san
Beth Lilly: I know! That's exactly the type of work I had in mind with the call f
Jason Francisco: Davis' bulletin boards seem to me actually to be photographs themselve
burnaway: approved