- Attention Artists: 2015 Hudgens Prize Competition About to Open
- Studio Visit: S. Patricia Patterson
- The High Receives $2.5 Million For Folk Art
- The Inaugural Florida Prize in Contemporary Art, in Orlando
- Is Feminism a Dirty Word in Art?
- Hot Off the Press! BURNAWAY #2
- Art as Books, Books as Art
- Mason Murer Is Moving, Promises Better Parking
- “Art Is A Context Sport”: Q&A with Pastiche Lumumba
- “Second Life” and the Taxidermic Gaze, in Louisville
All posts tagged "ACP ’08"
Paul Shambroom: Picturing Power at the Contemporary
From office cubicles to nuclear launch control centers, Minneapolis-based photographer Paul Shambroom has documented various mundane and discrete American locations of power since the mid-1980s. “Picturing Power,” the first overarching survey of his work, is a traveling...
- Posted November 13, 2008
Constance Thalken: Purge at Hartsfield-Jackson Atlanta International Airport
Last month I visited the airport to see Constance Thalken’s “Purge” photographs. I was interested in seeing art 1) outside of the usual gallery context and 2) outside of my “comfort zone” in downtown or along DeKalb...
- Posted November 12, 2008
A Group Discussion of McCallum and Tarry’s Within Our Gates
For Southern photographers, there seems an intrinsic need to examine the history of the region. This year’s ACP public art piece, Within Our Gates, is yet another meditation on segregation and the politics of the Civil Rights...
- Posted November 6, 2008
Luminous Flux—Performances at Le Flash (Castleberry)
Luminous Flux, a street performance directed by Lee Blalock and Bubba Carr As co-founder Cathy Byrd explains, “Le Flash” wasn’t intended to be a carnival of excess: The idea is not at all about chaos, but rather...
- Posted November 4, 2008
Le Flash ’08 / Castleberry—Highlights
Aside from a handful of inspiring performances and clever video installations, Le Flash felt a lot like a normal, though well-attended Fourth Friday in Castleberry Hill. Of course—and I can’t emphasize this enough—the weather was just short...
- Posted October 31, 2008
Wendy Given at Solomon Projects (The Wilds)
Wendy Given‘s The Wilds—one of two photo series in her Solomon Projects show, “No Man’s Land”—works on two separate narrative planes. On one hand, we have the story of Given and her husband, who’ve searched exhaustively for...
- Posted October 27, 2008
Joan Fontcuberta, Author of Ficciones*
When I arrived at last week’s Art Papers lecture at Emory, I didn’t realize I was already familiar with the work of photographer Joan Fontcuberta. He spoke of his career as an art world jester who—without informing...
- Posted October 24, 2008
Peter Bahouth at Marcia Wood Gallery
Peter Bahouth‘s series “Sadie’s Choice” is part of a larger project in which the Atlanta-based artist revisits historic uses of stereoscopic photography; 1950s pin-up and glamour photography inspired this particular series. Though I expected three-dimensional works when...
- Posted October 22, 2008
Meryl Truett, Picturing the Beltline at Barbara Archer
Train Panorama, Glenwood Avenue, 2008 (polyptych) Meryl Truett’s “Picturing the Beltline” debuts alongside the first Great American economic meltdown in decades. As Atlanta BeltLine, Inc. faces renewed financial uncertainty, I can’t help but marvel. Truett—a SCAD professor...
- Posted October 17, 2008
Martha Rosler: Bringing the War Home at Emory Visual Arts Gallery
Martha Rosler has seamlessly fused the Dada aesthetic of Hannah Höch with social commentary comparable to Barbara Kruger. Her current show at the Emory Visual Arts Gallery displays her original “Bringing the War Home” series from 1967-1972,...
- Posted October 15, 2008