The traveling exhibition “Our America: The Latino Presence in American Art” has a more urgent tone in the Trump era.
With a piano and a sledgehammer, the artist demonstrates a victory that can’t be had.
What do global southern locales have in common with each other and the U.S. South? “Third Space” curator Wassan Al-Khudhairi finds affinities.
In atmospheric canvases, the artist establishes her own gestural language using an assortment of painterly tropes.
A series of works from the 1960s and ’70s on view in Senga Nengudi’s current exhibition prompts the author to consider their feminist origins and bodily associations.
Unlike his contemporaries William Eggleston and William Christenberry, who traversed the South and ventured into color photography, Leigh stayed focused on his native Savannah and silver gelatin prints.
Spencer Sloan uses a variety of image-corrupting apps to achieve his colorful abstractions of celebrity paparazzi photos.
Memory is a constant theme in the work of Cuban-born artist Mario Petrirena, whose retrospective is on view at MOCA GA through April 29.
Five Korean artists working in Georgia are brought together in a winning exhibition that defies cultural and aesthetic categories.
In her imaginative sculptures, Amy Landesberg explores the boundaries between nature and artifice, life and nonliving systems, and uncanny objects in general. “Things Grow Hair,” at Berry College’s Moon Gallery in Rome, Georgia through April 13, is her most recent iteration of the interstitial, or the intersectional, or the in-between, as a recent anthropology textbook…
It’s easy to love the rhinestone-encrusted work of New York artist Mickalene Thomas and the temerity of an artist who would dare to bedazzle paintings that otherwise quote from the canon of the male gaze. Her large-scale mixed media images, on view through April 9 in the Newcomb Art Museum’s exhibition “Mickalene Thomas: Waiting on…
Curators Candice Greathouse and Curtis Ames present new work by three Atlanta artists in the inaugural exhibition at the Finishing School in Athens.
In “Gut Feelings,” Zuckerman curator Sarah Higgins locates food and eating at the center of an exploration of desire, power, and gender.
Senegalese photographer Omar Victor Diop challenges stereotypical representation through a series of art historical self-portraits.
Jeanine Michna-Bales retraces sites along the Underground Railroad in a series of photographs on view at Arnika Dawkins Gallery.
The Chicago artist embraces various materials and techniques in works that have numerous art-historical references.
In a departure from her textured paintings, Mickalene Thomas uses video and photography to engage both art history and pop culture.
A participant in our Teen Writing Intensive reflects on Daniel Arsham’s exhibition “Hourglass” at the High Museum of Art.