“Medium” is about more than the paranormal; it’s about reconciling our past with our present, and the ways in which the truth can slip and slide as we construct narratives based on belief rather than fact.
The delightfully garish caricatures of women’s futile pursuit of perfection are more humorous and empathetic than condescending.
The Georgia-born, New York-based artist shreds, tears and stains wool flokatis to make works suggest violence but also have an element of whimsy.
Amelia Carley re-creates the experience of a tropical island sunset in an installation involving three tons of sand and a series of hot-hued paintings.
The hand-built terra-cotta works by the Kenyan-born British artist, on view through October 15 at the High Museum of Art, display a consistency in finish and contour over three decades of production.
Clark and Peterson have created a packed installation that’s as chaotic as it is controlled.
The overtly eco art of Pam Longobardi and the subtly eco paintings of New York artist Frank Webster are paired at Hathaway Contemporary.
The basement gallery Good Enough is the perfect setting for Kira Scerbin’s mysterious figures, crafted from ephemeral and seemingly impromptu materials.
The Nashville artist uses textiles to create wall sculptures that offer a new take on the painterly values that have informed her work.
Infused with an anarchic glee, Hildebrands current show churns up pop culture references in works that revel in an aesthetic of excess.
“Ancient Art Objects,” curated by Katie Geha, causes the viewer to consider what we’re leaving behind and how we might be remembered by future generations.
The diverse works in “State of the Art” illustrate how our cultural identity is shaped largely by our difference.
The artist, known for his colorful and exuberant murals around town, makes a dramatic shift in “How Nice,” an exhibition about his life as a disabled bisexual man.
In its second gallery exchange with Zeitgeist Gallery, Atlnatas Whitespace is hosting an exhibition of work by the Nashville gallerys artists.
Everything at Kirstin Mitchell’s latest show conjures a feeling of tranquility, beginning with the exhibition title “Midnight at the Oasis.” Mitchell’s exhibition, her first at Hathaway, comprises color gradient paintings, sculptures, and rubber canvases that combine to create one woozy experience. In her artist statement, Mitchell notes that the word oasis most likely evolved from…
Cuban-American artist José Parlá creates work inspired by the street art he saw and created while growing up in Miami, and now while living in New York.
The works on view addressed a variety of subjects through the female perspective, and reaffirmed that the battle is not yet won.
The traveling exhibition “Our America: The Latino Presence in American Art” has a more urgent tone in the Trump era.